Displaying items by tag: JFK ASSASSINATION

Wednesday, 26 November 2003 12:18

"Peter, Meet my friend and assistant Gus Russo"

Jim DiEugenio on the origins of the Gus Russo/Peter Jennings collaboration.

Thursday, 20 November 2003 14:44

David Westin: It's Tough Following an Icon

Jim DiEugenio writes about ABC executive David Westin and how the network's JFK assassination programs are slanted toward the government's official conclusions.

Saturday, 15 November 2003 14:39

ABC's Russo/Myers Paradigm: John Stossel

Jim DiEugenio writes about ABC's JFK assassination coverage and how John Stossel's stories are slanted toward the government's official conclusions.

Friday, 14 November 2003 22:47

Gus, Will You Please Make Up Your Mind?

Jim DiEugenio explores Gus Russo's changing positions concerning Oswald's supposed motivations for killing Kennedy.

Tuesday, 11 November 2003 15:56

ABC Lies

Overview of ABC collaboration with Gus Russo to keep the myth about Lee Harvey Oswald alive.

Donald Thomas' peer-reviewed article on the acoustic analysis of the Dallas Police department dicatabelt.

[Holland's] analysis ... is fated to be washed away under a tsunami of recent scholarship ... Rooted in documents declassified in the wake of the public's reaction to Oliver Stone's film JFK, academics and researchers have discovered that the real JFK, despite his considerable flaws, was worlds away from the hawkish clown of Holland's (and Cockburn's) imagination, writes Gary Aguilar.

If anyone was in a position to move Oswald around prior to the assassination and control the cover-up afterwards, it was Angleton, writes Lisa Pease, in this excerpt from the second part of her study of the CIA counterintelligence chief.

An excerpt from the first of a two-part study of the CIA counterintelligence chief who very likely was in control of the Lee Harvey Oswald 'legend'.

Tuesday, 15 August 2000 15:02

Oliver Stone vs. The Historical Establishment

I wish Ambrose and Schlesinger had read the Review Board's declassified files ... [and] used them for their work in this volume. Until they do, Stone is completely justified in making these films and therefore keeping the historical establishment honest, writes Jim DiEugenio.

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