From Michael's conclusion: Ganis’ book is an uncomfortable, freewheeling careen down strange dead-end tracks, with unannounced detours through cold dark streets full of faceless characters, and later, journeys through mirror-filled fun houses of speculation, with a final twist and turn that spits you out right over Niagara Falls, barrel and all.
By Brian Wice, At: Houston Chronicle
on his book Into the Nightmare. At: Our Hidden History (YouTube)
In response to a recent article which he characterizes as “a compendium of every MSM caricature of Garrison and his Kennedy case that one can imagine”, Jim DiEugenio revisits the New Orleans DA's career and his JFK case, and what the ARRB and subsequent research has revealed about it.
In the wake of all the media attention being given to Alex Jones, Kennedys and King looks back to 2010 when CTKA ran a series of very critical essays concerning his extremely questionable treatment of the JFK case.
Dr. Mantik states: “It is unique for me to write a second review, but too much remained unsaid after the first review. Wagner’s book clearly required more attention, especially since his profound mistakes are so often duplicated by the unenlightened mainstream media.”
What happens when the Left abandons its concern for such things as accuracy, morality and fact-based writing? What does one call such reporting then? Does it then not become—for whatever reason—another form of propaganda? Jim DiEugenio once again blasts Counterpunch for its pig-headed blind spot concerning the Kennedys.
[photos courtesy of National Press Club (Silverstein) and Amazon.com (St.Clair)]
(See also this article about Counterpunch and Cockburn from 2012 by author Douglas Valentine)
Transcript, courtesy of David Giglio, of a Pacifica Radio interview from 1966 with Harold Weisberg in which he questions the statements of two key Warren Commission witnesses, Howard Brennan and policeman Marrion Baker.
Click here for audio link (at Our Hidden History)
We’ve lost. They’ve won. Everywhere except in the court of public opinion. It’s sort of like watching a heavyweight prize-fight and having the guy who was knocked out declared the winner. The Power Elite says, “The public be damned! Who cares what they think?” Well, we do. And so does Bob Groden, writes Frank Cassano in this review of the 2014 documentary film about his battles with the City of Dallas and the Sixth Floor Museum.
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