John Shockley, at:  Minn Post

Jim DiEugenio redresses the historical and academic dishonesty of Michael Kazin’s thinly veiled screed against President John F. Kennedy under the guise of a review of a biography that only covers his life through 1956 by meticulously articulating the facts of Kennedy's domestic and foreign policy positions.

Once again, the so-called progressive alternative media attempts—this time via the unfounded asseverations of a former West Point faculty member—to depict JFK as a typical Cold Warrior and an ineffectual president on all fronts. As usual, Jim DiEugenio demolishes the argument.

In the final part of this essay, Jim turns to the “War on Poverty”, showing how the Kennedys, with David Hackett in the lead, were planning that program before JFK's civil rights bill was passed, and how, once Johnson took office, it was altered from its original intent and handed over to local authorities who hijacked it.

Listen now to Part 4 (The Kennedys’ War on Poverty) of the interview with David Giglio, courtesy of Our Hidden History

Jim DiEugenio reviews the career of this amazing economist, statesman, academician and author, with a particular view to his close and important rapport with John Kennedy, an advisory relationship unjustly underplayed or erased by writers such as David Halberstam.

By Matt Schudel, at:  The Washinton Post

Was the hero of Jim Douglass' book murdered in 1968?

Read the review of Hugh Turley & David Martin, The Martyrdom of Thomas Merton, by Edward Curtin

The best volume on Robert Kennedy I have read since Arthur Schlesinger’s two volume set in 1978. If you want to know about Bobby Kennedy’s life, the Schlesinger book is your choice. But if you want to know who RFK was in his last years, this is the book to read. No politician I know of ever did or said these kinds of things at home and abroad, writes Jim DiEugenio.

By Zaid Jilani, At:  The Intercept

Because of its innumerable textual and sourcing problems, Tye's book is neither worth reading nor buying, concludes Jim DiEugenio, who is prompted to muse:  "Why did the author write the book? Only he can answer that question".