Jim DiEugenio discusses Dale Myers's reaction to his review of Reclaiming History.

On the serious issues of the day, the scandals, the murders, and wars that make up modern American history, papers like the New York Times, Washington Post and LA Times have not just been wrong, but they have been misleading, writes Jim DiEugenio.

At the start ... everyone had high hopes for the blogosphere. We believed that without the pervading pressure of corporate sponsorship, without the inevitable ties to government officials at higher levels, this was a great opportunity to return American journalism to the days that the late Angus McKenzie recalled in his book Secrets. ... So far, it hasn't happened, laments Jim DiEugenio.

With what the authors have now done to Williams' credibility, plus the near universality of agreement on the true nature of the C -Day plans, the end should be spelled out for this entire "second invasion" thesis, writes Jim DiEugenio.

Author James DiEugenio updates his review of Larry Hancock's Someone Would Have Talked with further observations about the problem of its questionable source material.

Jim DiEugenio replies to yet more criticisms of his review of Bugliosi's Reclaiming History.

This remarkable book could never have been composed or even contemplated without the existence of the Assassination Records Review Board. No book takes us more into Oswald's workings with the intelligence community than this one. And his section on Mexico City is clearly one of the 5 or 6 greatest discoveries made in the wake of the ARRB, writes Jim DiEugenio.

The best part of the book deals with Oswald's alleged visits to the Cuban consulate and Russian Embassy in Mexico City in the fall of 1963. This section of the work owes itself to the disclosures of the ARRB. More specifically to the Lopez Report and to John Newman's important book Oswald and the CIA, writes Jim DiEugenio.

The Road to Dallas is a methodically bad book. And as you read it you pick up on the method in its badness. And then at the end you comprehend the reason for it all, writes Jim DiEugenio.

It is not just well-written. In some places it rises to the level of extraordinarily well-written. Almost every chapter is well-planned and organized. And the book as a whole contains a completed aesthetic arc to it, writes Jim DiEugenio.