This follow-up to an earlier article is a deep and disturbing dive into the source material of Jean Stafford's 1966 profile of Marguerite Oswald, A Mother In History. As John Kelin discovered, the book is false and misleading, almost start-to-finish.

Dan Noyes, at:  ABC 7 News

Oliver Stone, at:  The Hollywood Reporter

Bill Davy delivers a moving and quite-personal reflection on the life and legacy of political satirist Mort Sahl, who risked his career and livelihood to pursue the truth in President John F. Kennedy’s assassination and influenced a generation of Americans in the process.

Mike Barnes, at:  Hollywood Reporter

Jim DiEugenio writes part 1 of his mixed review of Josiah Thompson’s new book on the JFK case, Last Second in Dallas, by summarizing the first-person journey, recounted by Thompson, that led to his first book, Six Seconds in Dallas, and then discussing the troubling history of the media and scientific forces aligned to derail further investigations, including Jim Garrison’s.

Randy Robertson responds to the rebuttal of his review of Josiah Thompson’s book Last Second in Dallas (LSD) authored by Gary Aguilar MD, Doug Desalles MD, and Bill Simpich, in an attempt to correct their errors and egregious false claims.

Milicent Cranor uncovers serious issues with Dr. Gary Aguilar, Dr. Douglas DeSalles, and Bill Simpich’s assessment of Navy doctor James Young and Dr. Randy Robertson in their article entitled Summary of Robertson’s Salient Mistakes. She attempts to set the record straight, while at the same time emphasizing the importance of this obscure piece of evidence regarding the “bent bullet.”

Matt Douthit reviews the 2019 self-produced documentary Truth Is the Only Client, streaming now on Amazon Prime, and finds it has essentially tried to take the modern and improved Oswald-did-it narrative from Vincent Bugliosi and Gerald Posner and then declare the Warren Commission way back in 1964 got it right after all.

Randy Robertson examines Josiah Thompson’s new book chapter-by-chapter with an emphasis on the acoustic and medical evidence and finds that, despite its flaws, Last Second in Dallas presents new incontrovertible evidence of conspiracy.