One of the most respected researchers and writers on the political assassinations of the 1960s, Jim DiEugenio is the author of two books, Destiny Betrayed (1992/2012) and The JFK Assassination: The Evidence Today (2018), co-author of The Assassinations, and co-edited Probe Magazine (1993-2000). See "About Us" for a fuller bio.
Jim DiEugenio assesses the historical accuracy of James Patterson and Cynthia Fagen’s The House of Kennedy and discovers the shoddy research and tabloid style of the book make it unfit for reading. Their idea is to present the Kennedy clan as a bunch of useless wastrels, whose two most prominent political representatives were murdered by lone nuts. Therefore, their implication is that these murders have no political or historic importance.
Jim DiEugenio analyzes the surprising new song released by Bob Dylan about the JFK assassination, Murder Most Foul, and interprets it as a poem for those with familiarity with the case.
Jim DiEugenio reviews the career of Chris Matthews upon his resignation from MSNBC, asserting, “I cannot help but wonder who will replace him, and if that person will be any kind of an improvement. I would think he or she could not be much worse.”
Jim DiEugenio revisits the TFX affair, in light of current research, and gets to the bottom of the smear campaign led by Henry Jackson and others against the procurement reforms being instituted by Robert McNamara and JFK.
The irony of Newsmax posting an article entitled “Conspiracy Theories Merit Only Undivided Suspicion” is “too rich to be ignored,” writes Jim DiEugenio, because its CEO and founder, Chris Ruddy, was responsible for propagating one of the wildest and most rudderless conspiracy theories of recent decades: that Vince Foster was murdered by sinister forces employed by Bill and Hillary Clinton.
Jim DiEugenio reviews Mad Brugger’s new film Cold Case Hammarskjold in light of the political struggle in Congo and the recurrence of European imperialism there.
Jim DiEugenio critiques Dennis Breo’s printed letter to the New York Times and revisits Breo’s history of spreading incomplete nonsense and denying facts about the JFK autopsy and the doctors who conducted it.
Jim DiEugenio reviews Martin Scorsese and Robert DeNiro’s long and expensive new film, The Irishman, which propagates many of the myths surrounding Frank Sheeran found in Brandt’s book.
Jim DiEugenio exposes some serious problems with Charles Brandt’s I Heard You Paint Houses, casting doubt on the veracity of many of the key stories.
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