Displaying items by tag: MEDIA

Jim DiEugenio writes about Andy Boehm's report The Seizing of the American Broadcasting Company.

Published in General
Saturday, 06 December 2003 14:50

Capital Cities Before it Bought ABC

Jim DiEugenio writes about the history of Capital Cities during its run up to the purchase of the ABC television network.

Published in General
Wednesday, 03 December 2003 14:32

ABC and the Rise of Rush Limbaugh

Jim DiEugenio writes about how ABC groomed controversial talk show host Rush Limbaugh to become the king of the airwaves.

Published in General
Wednesday, 26 November 2003 12:18

"Peter, Meet my friend and assistant Gus Russo"

Jim DiEugenio on the origins of the Gus Russo/Peter Jennings collaboration.

Thursday, 20 November 2003 14:44

David Westin: It's Tough Following an Icon

Jim DiEugenio writes about ABC executive David Westin and how the network's JFK assassination programs are slanted toward the government's official conclusions.

Saturday, 15 November 2003 14:39

ABC's Russo/Myers Paradigm: John Stossel

Jim DiEugenio writes about ABC's JFK assassination coverage and how John Stossel's stories are slanted toward the government's official conclusions.

Friday, 14 November 2003 12:59

The Seizing of the American Broadcasting Company

1987 article from the LA Weekly about CIA links to the ABC television network.

Published in General
Wednesday, 12 November 2003 11:56

Barnes vs. Casey and ABC

Jim DiEugenio writes about Barnes vs. Casey as a complicated spinoff from the equally complicated Rewald affair.

Published in General
Tuesday, 11 November 2003 15:56

ABC Lies

Overview of ABC collaboration with Gus Russo to keep the myth about Lee Harvey Oswald alive.

[Holland's] analysis ... is fated to be washed away under a tsunami of recent scholarship ... Rooted in documents declassified in the wake of the public's reaction to Oliver Stone's film JFK, academics and researchers have discovered that the real JFK, despite his considerable flaws, was worlds away from the hawkish clown of Holland's (and Cockburn's) imagination, writes Gary Aguilar.

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